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A Play for Justice in South Korea
In ¡®The Attorney,¡¯ an Unlikely Hero Fights for a Cause
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Authoritarian rule is by no means a distant memory in South Korea, and that past helps explain the blockbuster success there of ¡°The Attorney.¡± Set in the 1970s and 1980s, the film stars Song Kang-ho in a straight-as-an-arrow courtroom drama based on a notorious 1981 case of government oppression.
µ¶Àç Á¤±ÇÀº Çѱ¹¿¡¼ ¸Ó³ª¸Õ ±â¾ïÀÌ ¾Æ´Ï¸ç, ¹Ù·Î ÀÌ °ú°Å ¶§¹®¿¡ ¿µÈ "º¯È£ÀÎ"ÀÌ Çѱ¹¿¡¼ ´ë´ëÀûÀÎ ÈïÇà ¼º°øÀ» °ÅµÎ¾ú´Ù. 1970³â´ë¿Í 80³â ´ë¸¦ ¹è°æÀ¸·Î ÇÑ ÀÌ ¿µÈ´Â ¹è¿ì ¼Û°È£°¡ ÁÖ¿¬À¸·Î Ã⿬Çϸç, 1981³â¿¡ ÀÖ¾ú´ø ¾Ç¸í ³ôÀº Á¤ºÎ ź¾ÐÀÇ »ç·Ê¸¦ Åä´ë·Î ÇÑ °úÀå ¾ø´Â ¹ýÁ¤ µå¶ó¸¶ÀÌ´Ù.
Mr. Song¡¯s titular character, also named Song, hustles his way to wealth as a real estate and tax lawyer, then falls into representing a student who was tortured into a false confession. Song hadn¡¯t planned to get involved, but the student¡¯s salt-of-the-earth mother runs his favorite lunch place, and the blatant abuse of national security law shocks him into acting.
¼Û°È£ÀÇ ±ØÁß Àι°ÀÎ °°Àº ¼ºÀÇ ÁÖÀΰø, ¼Ûº¯È£»ç´Â ºÎµ¿»ê°ú ¼¼¹« º¯È£»ç·Î ºÎ¸¦ ½×´Ù°¡ °í¹®À» ¹Þ°í °ÅÁþ ÀÚ¹éÀ» Çعö¸° ÇÑ ÇлýÀ» º¯È£ÇÏ°Ô µÈ´Ù. ¼Û º¯È£»ç´Â ¿¬·çµÉ »ý°¢ÀÌ ÀüÇô ¾ø¾úÀ¸³ª, ÀÌ ÇлýÀÇ Çå½ÅÀûÀÎ ¾î¸Ó´Ï°¡ ÀڱⰡ Á¡½ÉÀ» ¸Ô±â À§ÇØ Áñ°Ü ã´Â ´Ü°ñ ½Ä´çÀÇ ÁÖÀÎÀε¥´Ù ¶Ç ±¹°¡º¸¾È¹ýÀÌ ¸í¹éÈ÷ ³²¿ëµÇ´Â °Í¿¡ Ãæ°ÝÀ» ¹Þ°í ÇൿÀ» °³½ÃÇÑ´Ù.
Song is a standard movie type: the unlikely hero politicized by an injustice. (His opposite is the official who justifies strong-arm tactics with the constant threat of war with the North.) Mr. Song puts his usual big heart into the character, though there aren¡¯t many layers or nuances to the drama. Every scene does its job, tears flowing on cue.
¼Û¿ì¼®Àº ÀüÇüÀûÀÎ ¿µÈ ÁÖÀΰø ŸÀÔÀÌ´Ù. Áï ¿µ¿õÀÌ µÉ °¡´É¼ºÀÌ ¾ø¾î º¸ÀÌ´ø ij¸¯ÅÍ°¡ ºÒÀÇ¿¡ ÀÇÇØ Á¤Ä¡ÈµÈ´Ù. (±×ÀÇ »ó´ë¿ªÀº ºÏÇÑÀÇ »ó½ÃÀû ÀüÀï À§ÇùÀ» ÀÌÀ¯·Î °¾ÐÀû ¹æ¹ýÀ» Á¤´çÈÇÏ´Â ¼ö»ç°üÀÌ´Ù.) º¹ÀâÇÔÀ̳ª ¹Ì¹¦ÇÔÀÌ ¿µÈ¿¡ ¸¹Àº °ÍÀº ¾Æ´ÏÁö¸¸ ¹è¿ì ¼Û°È£´Â ÀÚ½ÅÀÇ Æ¯À¯ÇÑ ´ÙÁ¤´Ù°¨ÇÑ ¼º°ÝÀ» ij¸¯ÅÍ¿¡ ºÒ¾î ³Ö´Â´Ù. ¸ðµç Àå¸éÀº Á¦ ¿ªÇÒÀ» Çϸç, ¶§¸ÂÃç ´«¹°ÀÌ ³ª¿À°Ôµµ ÇÑ´Ù.
The director, Yang Woo-seok, making his feature filmmaking debut, bases the story on his own webtoon. Song¡¯s encounter with government violence is neatly summed up with a riot cop in a face-obscuring black helmet bursting indoors in slow motion. But in the courtroom, Mr. Yang also sets the camera to roam in a showily prolonged scene that¡¯s less like a Preminger camera maneuver than the prowling of a restless house cat.
ÀÌ ÀÛÇ°À¸·Î µ¥ºßÇÑ ¾ç¿ì¼® °¨µ¶Àº ÀÚ½ÅÀÇ À¥Å÷À» Åä´ë·Î ¿µÈÀÇ ½ºÅ丮¸¦ ¸¸µé¾ú´Ù. ¼Û¿ì¼®ÀÌ Á¤ºÎÀÇ Æø·Â°ú Á¶¿ìÇÏ´Â ´ë¸ñÀº °ËÀº Çï¸äÀ¸·Î ¾ó±¼À» °¡¸° ÀüÅõ°æÂûÀÌ ½½·Î¿ì ¸ð¼ÇÀ¸·Î óµé¾î¿À´Â Àå¸é¿¡ Àß ¿ä¾àµÈ´Ù. ±×·¯³ª ¹ýÁ¤¿¡¼ ¾ç °¨µ¶Àº ¶ÇÇÑ °úµµÇÏ°Ô ´Ã¾îÁö´Â Àå¸é¿¡¼ ÇÁ·¹¹Ö°Å Ä«¸Þ¶ó ±â¹ýÀ̶ó±â º¸´Ù´Â Áý°í¾çÀÌ°¡ ºÒ¾ÈÇÏ°Ô À̸®Àú¸® ¹èȸÇÏ´Â °Íó·³ Ä«¸Þ¶ó¸¦ µ¹¾Æ´Ù´Ïµµ·Ï ¹èÄ¡ÇÑ´Ù.
There are levels of resonance that might not strike an audience outside of South Korea, but during the film¡¯s restrained portrayal of the torture, a moment of waterboarding still has the power to unsettle.
Çѱ¹ ¹ÛÀÇ °ü°´¿¡°Ô ¿ï¸²ÀÇ Á¤µµ´Â ´úÇÒ ¼ö ÀÖÀ¸³ª ¿µÈÀÇ ÀýÁ¦µÈ °í¹®Àå¸é Áß ¹°°í¹®ÀÇ ¼ø°£Àº ¿©ÀüÈ÷ °ü°´µéÀ» ºÒ¾ÈÇÏ°Ô Èçµå´Â ÈûÀÌ ÀÖ´Ù.
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¡®The Attorney¡¯ movie review: An earnest and instructive South Korean box-office hit
'º¯È£ÀÎ' ¿µÈÆò: ÁøÁ¤¼º ÀÖ°í ±³ÈƵµ ÁÖ´Â Çѱ¹ÀÇ ¹Ú½º ¿ÀÇǽº È÷Æ®
By Mark Jenkins, Published: February 6
Two things seem obvious from watching the first few minutes of ¡°The Attorney¡±: The movie is a comedy, and its protagonist is no hero.
¿µÈ "º¯È£ÀÎ"À» óÀ½ ¸î ºÐ °£ °ü¶÷ÇÏ¸é µÎ °¡Áö »ç½ÇÀÌ ºÐ¸íÇØ º¸ÀδÙ: ÀÌ ¿µÈ´Â Äڹ̵ðÀÌ°í ÁÖÀΰøÀº ´ë´ÜÇÑ Àι°ÀÌ ¾Æ´Ï¶ó´Â °Í.
The recent South Korean box-office hit observes the progress, beginning in 1978, of a lawyer with few credentials but much ambition. Song Woo-seok (Song Kang-ho) is snubbed by other lawyers because he passed the bar exam without attending law school, or even college. These cohorts are further scandalized when Song begins registering real-estate transactions, a task previously restricted to notaries.
ÃÖ±Ù Çѱ¹ÀÇ ¹Ú½º ¿ÀÇǽº È÷Æ®ÀÎ ÀÌ ¿µÈ´Â ´ë´ÜÈ÷ ³»¼¼¿ï ÀÌ·ÂÀº ¾øÀ¸³ª ¾ß¸ÁÀº ÄÇ´ø ÇÑ º¯È£»çÀÇ 1978³âÀ» ±âÁ¡À¸·Î ÇÑ Àλý¿ªÀüÀ» ±×¸°´Ù. ¼Û¿ì¼® (¼Û°È£)Àº ¹ý´ë´ëÇпøÀº Ä¿³ç ´ëÇÐÁ¶Â÷ ´Ù´ÏÁö ¾ÊÀº ä·Î »ç¹ý°í½Ã¸¦ Åë°úÇÑ »ç½Ç ¶§¹®¿¡ ´Ù¸¥ º¯È£»çµé·ÎºÎÅÍ ¹«½Ã¸¦ ¹Þ´Â´Ù. ¼Û º¯È£»ç°¡ Àü¿¡´Â °øÁõÀο¡ Á¦ÇÑµÈ ¾÷¹«¿´´ø ºÎµ¿»ê ¸Å¸Å µî·Ï¾÷¹«¸¦ ½ÃÀÛÇÏÀÚ ÀÌ »ç¶÷µéÀº ´õ ±â°¡ ¸·Çô ÇÑ´Ù.
His most inexcusable offense? Song makes a lot of money while doing work other attorneys thought was beneath them.
´õ¿í ¿ë¼°¡ ¾ÈµÇ´Â ºÒÄèÇÑ »ç½ÇÀº? ¼Û º¯È£»ç´Â ´Ù¸¥ º¯È£»çµéÀÌ ÀÚ±âµéÀÌ Çϱ⿣ ³Ê¹« ±ÞÀÌ ³·´Ù »ý°¢ÇÑ ÀϵéÀ» ÇÏ¸ç ¾öû³ µ·À» ¹ú¾îµéÀδÙ.
The industrious lawyer¡¯s detractors aren¡¯t the only ones in for a surprise; so are most of the movie¡¯s American viewers. Midway through the story, ¡°The Attorney¡± becomes a political drama. And Song rises to the occasion.
ÀÌ ºÎÁö·±ÇÑ º¯È£»ç¸¦ ÆïÈÑÇÏ´Â »ç¶÷µé¸¸ÀÌ ¾Æ´Ï°í ÀÌ ¿µÈ¸¦ °¨»óÇÏ´Â ´ëºÎºÐÀÇ ¹Ì±¹ÀÎ °ü¶÷°´µµ ³î¶ó°Ô µÈ´Ù. ¿µÈÀÇ Áß°£ Âë¿¡ À̸£¸ç, "º¯È£ÀÎ"Àº Á¤Ä¡Àû µå¶ó¸¶°¡ µÈ´Ù. ±×¸®°í ¼Ûº¯È£»ç´Â ¸ÚÁö°Ô ³±¹À» ÇìÃÄ ³ª°£´Ù.
The lawyer thinks mostly of supporting his family and putting ever more distance between himself and his impoverished childhood. He¡¯s also devoted to the modest, family-run local restaurant where he¡¯s dined for years — and where he once skipped out on the bill when he was an impoverished student.
¼Û º¯È£»ç´Â ÀÚ½ÅÀÇ °¡Á·À» ºÎ¾çÇÏ´Â °ÍÀ» °¡Àå Áß¿äÇÏ°Ô ¿©±â¸ç ºó°ïÇß´ø ¾î¸° ½ÃÀý°ú °¡´ÉÇÑ °Å¸®¸¦ µÎ·Á ÇÑ´Ù. ±×´Â ¶ÇÇÑ ¿À·§ µ¿¾È ½Ä»ç¸¦ ÇØ¿Â, °¡Á·³¢¸® ¿î¿µÇÏ´Â ±ÙóÀÇ Á¶±×¸¸ À½½ÄÁ¡À» ¾ÖÈ£ÇÑ´Ù - °¡³ÇÑ Çлý ½ÃÀý ±×´Â ÀÌ°÷¿¡¼ À½½Ä °ªÀ» ¶¼¾î¸ÔÀº ÀûÀÌ ÇÑ ¹ø ÀÖ´Ù.
Song doesn¡¯t follow politics, but he does support his friends. So when the restaurant owner¡¯s college-age son disappears, the lawyer begins an investigation. He soon learns that Choi Jin-woo (Korean boy-band member Siwan) has been arrested and brutally tortured. His crime is being a member of a book club that reads such ¡°seditious¡± literature as British historian and diplomat E.H. Carr¡¯s ¡°What Is History?¡±
¼Û¾¾´Â Á¤Ä¡´Â ÇÏÁö ¾ÊÁö¸¸ ±×ÀÇ Ä£±¸µéÀ» µµ¿ÍÁØ´Ù. ±×·¡¼ ½Ä´çÁÖÀÎÀÇ ´ëÇлý ¾ÆµéÀÌ »ç¶óÁ³À»¶§, º¯È£»ç´Â À̸¦ Á¶»çÇϱ⠽ÃÀÛÇÑ´Ù. ±×´Â °ð ÃÖÁø¿ì°¡ (Çѱ¹ ³²¼º À½¾Ç ±×·ì ¸â¹ö ½Ã¿Ï) üÆ÷µÇ°í ÀÜÀÎÇÏ°Ô °í¹®´çÇÑ °ÍÀ» ¾Ë¾Æ³½´Ù. ±×ÀÇ ÁË´Â ¿µ±¹ ¿ª»ç°¡ÀÌÀÚ ¿Ü±³°üÀ̾ú´ø E. H. Ä«ÀÇ "¿ª»ç¶õ ¹«¾ùÀΰ¡?"¿Í °°Àº "ºÒ¿Â"¼ÀûÀ» Àд µ¶¼Å¬·´ÀÇ È¸¿øÀ̶ó´Â °ÍÀÌ´Ù.
To the astonishment of the judge, the prosecutor and South Korea¡¯s secret police, Song takes Choi¡¯s case and turns a show trial into a real one. He makes public things that were formerly veiled in the name of ¡°national security.¡± He divulges torture techniques, illustrated in grim flashbacks, and he takes a few body blows himself.
ÆÇ»ç, °Ë»ç, ±×¸®°í Çѱ¹ ºñ¹Ð °æÂûÀ» ±ô¦ ³î¶ó°Ô Çϸé¼, ¼Û º¯È£»ç´Â ÃÖ¾¾ÀÇ »ç°ÇÀ» ¸Ã¾Æ¼ ¿©·Ð Á¶ÀÛ¿ë ÀçÆÇÀ» ÁøÂ¥ ÀçÆÇÀÌ µÇ°Ô ÇÑ´Ù. ±×´Â ÀÌÀü¿¡ "±¹°¡ º¸¾È"À̶ó´Â À̸§À¸·Î º£ÀÏ¿¡ °¡·ÁÁ³´ø °ÍÀ» °ø°³ÀûÀ¸·Î µå·¯³ª°Ô ÇÑ´Ù. ±×´Â Ãæ°ÝÀûÀΠȸ»óÀå¸éÀ¸·Î ¹¦»çµÇ´Â °í¹® ±â¼úÀ» Æø·ÎÇÏ°í, ±× ¶ÇÇÑ ¸î ´ë ¾ò¾î ¸Â±âµµ ÇÑ´Ù.
Fictionalized from actual events, ¡°The Attorney¡± shows the transformation of a character based on the late Roh Moo-hyun, who became a human-rights advocate and later South Korea¡¯s president. Rather than a fevered riff on national paranoia or personal vengeance, like many Korean flicks released in the United States, the movie is earnest and instructive.
½Çȸ¦ ¹ÙÅÁÀ¸·Î Çؼ ¿µÈ·Î ²Ù¸çÁø "º¯È£ÀÎ"Àº À뱂 º¯È£»ç°¡ µÇ¾ú´Ù°¡ ÈÄ¿¡´Â Çѱ¹ÀÇ ´ëÅë·ÉÀÌ µÈ °í ³ë¹«Çö ´ëÅë·ÉÀ» ¸ðµ¨·Î Çؼ ÇÑ Àι°ÀÌ º¯ÈÇÏ´Â °úÁ¤À» º¸¿©ÁØ´Ù. ¹Ì±¹¿¡¼ °³ºÀµÈ ¸¹Àº Çѱ¹ ¿µÈ¿¡¼ º¼ ¼ö ÀÖ´Â ³²ºÏ °£ÀÇ ÇÇÇظÁ»óÀ¸·Î ÀÎÇÑ ±äÀå°¨À̳ª °³ÀÎÀû º¹¼ö¿Í °°Àº °ÍÀÌ ¾Æ´Ï°í, ÀÌ ¿µÈ´Â ÁøÁ¤¼ºÀÌ ÀÖ°í ±³ÈÆÀûÀÌ´Ù.
¡°The Attorney¡± can be melodramatic, and first-time feature director Yang Woo-seok is not yet a singular filmmaker. But the movie is carrried by its rousing pro- democracy message and a lively performance from the versatile leading man, whose credits include such notable Korean films as ¡°The Host¡± and ¡°Memories of Murder.¡± Song Kang-ho is well cast as an everyday champion, distinguished not by superpowers but by simple decency.
"º¯È£ÀÎ"Àº ¸á·Î µå¶ó¸¶¶ó ÇÒ ¼öµµ ÀÖ°í, ù¹ø° ÀÛÇ°À» ¹ßÇ¥ÇÑ ¾ç¿ì¼® °¨µ¶Àº ¾ÆÁ÷ ÃÖ°í ¼öÁØÀÇ °¨µ¶Àº ¾Æ´Ï´Ù. ±×·¯³ª ÀÌ ¿µÈ´Â °í¹«ÀûÀΠģ¹ÎÁÖÁÖÀÇ ¸Þ½ÃÁö¿Í "±«¹°"°ú "»ìÀÎÀÇ Ãß¾ï"°ú °°Àº À¯¸íÇÑ Çѱ¹ ¿µÈ¸¦ ÈïÇà½ÃÄ×´ø ´ÙÀç´Ù´ÉÇÑ ÁÖ¿¬ ¹è¿ìÀÇ »ì¾Æ ÀÖ´Â ¿¬±â¿¡ ÀÇÇØ Àß »ì¾Æ³´Ù. ¼Û°È£´Â ÀÏ»óÀûÀÎ ½ÂÀÚ¸¦ ¹¦»çÇÏ´Â ÈǸ¢ÇÑ ¹è¿ªÀ̸ç, ÃÊ°·ÂÇÑ ÈûÀÌ ¾Æ´Ï¶ó ¼Ò¹ÚÇÑ Àΰ£¹Ì·Î µ¸º¸ÀδÙ.